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CAMERON CROWE'S ALOHA IN THEATERS

A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

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ONLY THE MAD SURVIVE IN MAD MAX: FURY ROAD

Haunted by his turbulent past, Mad Max believes the best way to survive is to wander alone.  Nevertheless, he becomes swept up with a group fleeing across the Wasteland in a War Rig driven by an elite Imperator, Furiosa.  They are escaping a Citadel tyrannized by the Immortan Joe, from whom something irreplaceable has been taken.  Enraged, the Warlord marshals all his gangs and pursues the rebels ruthlessly in the high-octane Road War that follows.

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GOOD KILL IN THEATERS

In the shadowy world of drone warfare, combat unfolds like a video game–only with real lives at stake. After six tours of duty, Air Force pilot Tom Egan yearns to get back into the cockpit of a real plane, but he now fights the Taliban from an air-conditioned box in the Las Vegas desert. When he and his crew start taking orders directly from the CIA, and the stakes are raised, Egan’s nerves, and his relationship with his wife, begin to unravel.

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PITCH PERFECT 2 IN THEATERS

After a humiliating command performance at Lincoln Center, the Barden Bellas enter an international competition that no American group has ever won in order to regain their status and right to perform.

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Humanity's Last Hope Isn't Human in Chappie

In the near future, crime is patrolled by an oppressive mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.

Directed by Neill Blomkamp and photographed by Trent Opaloch with E series and G series anamorphic lenses and Red Epic. 

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