G Series Anamorphic

DOPE IN THEATERS

Life changes for Malcolm, a geek who's surviving life in a tough neighborhood, after a chance invitation to an underground party leads him and his friends into a Los Angeles adventure.

Directed by Rick Famuyiwa and photographed by Rachael Morrison with G Series anamorphic and Arri Alexa.

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GOOD KILL IN THEATERS

In the shadowy world of drone warfare, combat unfolds like a video game–only with real lives at stake. After six tours of duty, Air Force pilot Tom Egan yearns to get back into the cockpit of a real plane, but he now fights the Taliban from an air-conditioned box in the Las Vegas desert. When he and his crew start taking orders directly from the CIA, and the stakes are raised, Egan’s nerves, and his relationship with his wife, begin to unravel.

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Humanity's Last Hope Isn't Human in Chappie

In the near future, crime is patrolled by an oppressive mechanized police force. When one police droid, Chappie, is stolen and given new programming, he becomes the first robot with the ability to think and feel for himself.

Directed by Neill Blomkamp and photographed by Trent Opaloch with E series and G series anamorphic lenses and Red Epic. 

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CAKE STARRING JENNIFER ANISTON IN WIDE RELEASE

Claire becomes fascinated by the suicide of a woman in her chronic pain support group while grappling with her own, very raw personal tragedy.

Directed by Daniel Barnz and photographed by Rachel Morrison with G Series anamorphic lenses and Arri Alexa.

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ACADEMY AWARD NOMINEE AMERICAN SNIPER HITS THEATERS

From director Clint Eastwood comes “American Sniper,” starring Academy Award nominee Bradley Cooper as Chris Kyle, whose skills as a sniper made him a hero on the battlefield.  But there was much more to him than his skill as a sharpshooter. Nominated for 6 Academy Awards including Best Picture.

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INTO THE WOODS: THE MUSICAL GENRE GETS PANAVISED

After the big-budget, time-looping, science-fiction spectacle Edge of Tomorrow was finally behind him, Dion Beebe, ASC, ACS stepped right into the smaller-scale musical fantasy of Into the Woods, and brought Panavision London along with him.

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War Never Ends Quietly in "Fury"

April, 1945.  As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy (Brad Pitt) commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines.  Outnumbered and outgunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.

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